ZAMÂN ou on a le même temps qu’on avait

Zamân [zamɔn] is time in Farsi, Hebrew, Arabic, and probably many other languages. But not at any time. It could be called a long time or something like “the time”. What if the multiple forms that time takes become the starting (or finishing?) point of a show. And if, as in a club or a jazz club, a discussion was built between Mani Soleymanlou and the audience present. Like a long contrast between two pieces of music. Then we could have a drink, have a breather, talk about music, memories, the time or just the weather. We would be afraid of nothing. What if the audience got involved? What if Valaire was jazzing while we were talking? What if Mani grabbed a saxophone? No, maybe not. But well, we will see there. Who knows?