Use et abuse

Photo credit: Maxim Paré Fortin

Carte blanche

Christian Lapointe, Alix Dufresne

Use et abuse

theatreperformanceinterdisciplinary
duration : 1hrates : from 17$ to 45$
FR
Presented in French

Monday, December 1, 2025

JF

19h30

Tuesday, December 2, 2025

STE

19h30

Wednesday, December 3, 2025

19h30

Friday, December 5, 2025

STE

19h30

Saturday, December 6, 2025

19h30

Alix Dufresne and Christian Lapointe, Quebec artists who are outspoken and lively, take on the video conference entitled How the Cultural Industry Uses and Abuses Art, given by philosopher Alain Deneault in 2021 and taken from his book L'économie esthétique. At the invitation of the Association acadienne des artistes professionnels du Nouveau-Brunswick, this videoconference attempts to show how capitalism keeps artists under pressure and encourages them to become profitable. Dufresne and Lapointe offer a wild and incisive performance with philosopher Deneault's controversial speech projected on a screen as a backdrop. They explore the notion of commodification and the mechanisms of art appropriation by creating a live NFT auction in front of an audience. Their bodies become tools of creation, but also, paradoxically, of promotion and protest: flesh brutalized by the culture economy in search of a reappropriation of the agency inherent in the practice of art. Initiated by director and actor Christian Lapointe, Use et abuse closed Alix Dufresne's residency as an associate artist at USINE C from 2022 to 2025 with a sold-out performance. She naturally joined forces with him for this project, continuing her exploration of Alain Deneault's ideas, as begun with Hidden Paradise, created in 2018 on the theme of tax evasion. Here, the two artists give shape to a hybrid form that is at once playful, performative, and political, leaving room for the unpredictable in each performance. For mature audiences.

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Biographies

Christian Lapointe

Christian Lapointe gave a 70-hour performance on Antonin Artaud's work at the Festival TransAmériques (FTA). He had the Quebec Citizen Constitution written through theater. Since 2001, he has created more than 30 plays and performances, establishing himself as an atypical figure on the theater scene. Inspired by symbolism, he draws on performance art, articulating his stage writing around scenic devices and flirting with video installation. His creations have been presented in numerous Quebec institutions, as well as at the Avignon Festival, the Royal Court Theater, the Schaubühne in Berlin, and on several occasions at the Festival TransAmériques and the National Arts Center. In 2022, he created Not One Of These People, starring playwright Martin Crimp. He also composes music for LiY, a group he formed with playwright Simon Stephens and creator Laurence Dauphinais. In 2025, he adapted Marguerite Duras' Hiroshima mon amour for the opera stage.
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