POUR

A high-pitched sound pierces the northern night; an incantation, a cry, an appeal. A young woman appears, luminescent and strangely fascinating, a forthright gaze. She removes her clothing, seems to want to be released from the restraints of her skin. The pain accelerates, the liquid flows. We are in the heart of a tormented, stressful, secret femininity. A rising star of contemporary dance, the choreographer Daina Ashbee explores the taboo subject of the menstrual cycle, turning it into an object of painful beauty tinged with symbolism. Drawing from the secular tradition of the seal hunt, she boldly tackles complex questions about blood, vaginal discharge, the loss of control. A splendid performer, Paige Culley expresses the suffering of the body undergoing transformation, the animal body naked and vulnerable, a receiver of light, a transmitter of sound, its limbs savagely thrashing the drenched, dripping ice floe as the body shamelessly screams its discomfort and vexation. And then relief, the engulfed woman rises to the surface. A cycle comes to an end. For more information, visit the  Festival TransAmériques   website.